Dates
- Cover date
- May 1991
- On sale
- March 14, 1991
- In stores
- March 14, 1991
- Pages
- 68
Values
Looking up values…
Editions and covers (4)
Copies of #1 are not all the same book. Here is how to tell each one apart.
- Direct edition
Direct
No UPC barcode in the corner box: direct editions show artwork, a logo or a blank box there.
Source ↗ - 2nd printing
Second Printing
Marked as a later printing on the cover or in the indicia.
This edition’s page - Newsstand edition
Newsstand
A UPC barcode in the cover's corner box.
Barcode 07098932255401
This edition’s page - 3rd printing
Third Printing
Marked as a later printing on the cover or in the indicia.
This edition’s page
Story arc: Armageddon 2001
This is part 1 of 24. Reading order by cover month and on-sale date; arc records can be incomplete.
- Armageddon 2001 (1991) #1
- Superman Annual (1987) #3
- Batman Annual (1961) #15
- Justice League America Annual (1991) #5
- Hawkworld Annual (1990) #2
- Hawk and Dove Annual (1990) #2
- Action Comics Annual (1987) #3
- Flash Annual (1987) #4
- Adventures of Superman Annual (1987) #3
- Detective Comics Annual (1988) #4
- Justice League Europe Annual (1990) #2
- The New Titans Annual (1989) #7
- Action Comics (1938) #670
- Armageddon 2001 (1991) #2
- L.E.G.I.O.N. '91 Annual (1991) #2
- Armageddon: Alien Agenda (1991) #1
- Armageddon: Alien Agenda (1991) #2
- Armageddon: Alien Agenda (1991) #3
- Armageddon: Alien Agenda (1991) #4
- Armageddon: Inferno (1992) #1
- Armageddon: Inferno (1992) #2
- Armageddon: Inferno (1992) #3
- Armageddon: Inferno (1992) #4
- Superman: The Triangle Era Omnibus (2024) #1
Creators
Stories
- Darktime · 56 pages
Publisher’s description
In the year 2030, scientist Matthew Ryder struggles with the totalitarian oppression of his world's leadership underneath the dictator and former superhero Monarch. Ryder, one of the very few in his world even privately opposed to Monarch's rule, finds small ways in which to research the superheroes of old, a long forbidden concept. Ryder's curiosity into the subject is drawn mostly from a vague childhood memory of being rescued out of a pile of rubble by a superhero that he couldn't put a face or a name to.